Issue 4 Bibliography

Abbott, Edward Deming. 1963. The People Called Shakers. New York: Dover.

Ardener, Shirley. 1975. Perceiving Women. Edited by Shirley Ardener. New York: John Wiley and Sons.

Barrett, S. A. 1908. “Pomo Indian Basketry.” In University of California Publications in American Archaeology and Ethnology, 7:134–308. 3.

Basketry, Navajo School of Indian. 1971. Indian Basket Weaving. New York: Dover, reprint.

Baxandall, Rosalyn, Linda Gordon, and Susan Reverby. 1976. America’s Working Women: A Documentary History, 1600 to the Present. New York: Vintage Books.

Bebey, Francis. 1975. African Music. London: Harrap.

Berlant, Anthony, and Mary Hunt Kahlenberg. 1977. Walk in Beauty. New York: Graphic Society.

Bishop, Robert. 1975. New Discoveries in American Quilts. New York: Dutton.

Bishop, Robert, and Elizabeth Safanda. 1976. A Gallery of Amish Quilts. New York: Dutton.

Bjerregaard, Lena. 1977. Techniques of Guatemalan Weaving. New York: Van Nostrand Rheinhold.

Blacking, John. 1975. “Songs, Dances, Mimes and Symbolism of Venda Girls’ Initiation Schools.” African Studies 28.

Bolton, Ethel Stanwood, and Eva Johnston Coe. 1973. American Samplers. New York: Dover, reprint.

Boserup, Ester. 1970. Women’s Role in Economic Development. London: George Allen and Unwin.

Brotten, Bronwyn V., and Ann Lang. 1973. “Zulu Beadwork.” African Arts 7:8–13.

Bunzel, Ruth. 1969. The Pueblo Potter: A Study of Creative Imagination in Primitive Art. New York: Dover, reprint.

Cason, Marjorie, and Adele Cahlender. 1976. The Art of Bolivian Highland Weaving. New York: Watson-Guptill.

Chase, Judith Wragg. 1971. Afro-American Art and Craft. New York: Van Nostrand Rheinhold.

Chiñas, Beverly. 1973. The Isthmus Zapotecs: Women’s Roles in Cultural Context. New York: Holt, Rinehart and Winston.

Cincinnati Art Museum. 1976. The Ladies, God Bless ’Em. Cincinnati.

Cooper, Patricia, and Norma Buferd. 1977. The Quilters. Garden City, N.Y.: Doubleday.

Cordry, Donald, and Dorothy Cordry. 1968. Mexican Indian Costumes. Austin: University of Texas Press.

Dawson, Bonnie. 1976. Women’s Films in Print: An Annotated Guide. 555 29th St., San Francisco, Cal. 94131: Bootlegger Press.

dePauw, Linda Grant, and Conover Hunt, eds. 1976. Remember the Ladies: Women in America 1750-1815. New York: Viking Press.

Drinker, Sophie. 1948. Women and Music. New York: Coward-McCann.

Elliott, Maude Howe. 1893. Art and Handicraft in the Woman’s Building of the World’s Columbian Exhibition. Edited by Maude Howe Elliott. New York: Goupil.

Farrer, Claire, ed. 1975. Women and Folklore. Austin: University of Texas Press.

Fratto, Toni Flores. 1976. “Samplers: One of the Lesser American Arts.” Feminist Art Journal 5 (4): 11–15.

Glaze, Anita. 1975. “Power and Art in a Senufo Village.” African Arts 8:25–29, 64–67.

Gostelow, Mary. 1977. The Complete International Book of Embroidery. New York: Simon and Schuster.

Green, Rayna. 1977. “Magnolias Grow in Dirt: The Bawdy Lore of Southern Women.” Radical Teacher 6 (December):26–30.

Hagood, Margaret Jarman. 1977. Mothers of the South: Portraiture of the White Tenant Farm Women. New York: Norton, reprint.

Hanley, Hope. 1970. Needlepoint in America. New York: Weathervane Books.

Harris, Ann Sutherland, and Linda Nochlin. 1976. Women Artists 1550-1950. Los Angeles and New York: Los Angeles County Museum and Alfred A. Knopf.

Hirschfield, L. A. 1977. “Art in Cunaland: Ideology and Cultural Adaptation.” Man 12 (April):104–21.

Holstein, Jonathan. 1973. The Pieced Quilt. New York: Graphic Society.

Hoover, F. Louis. 1969. Molas from the San Blas Islands. New York: Center for Inter-American Relations.

Humez, Jean. 1977. Women Working in the Arts: A Bibliography and Resource List. April 1977, c/o Women’s Studies Program, University of Massachusetts, Boston.

James, George W. 1974. Indian Blankets and Their Makers. New York: Dover, reprint.

Jopling, Carol. 1974. “Women’s Work: A Mexican Case Study of Low Status as a Tactical Advantage.” Ethnology 13 (2): 187–95.

Karras, Maria. 1973. Woman’s Building-Chicago 1893, Woman’s Building-Los Angeles, 1973. Los Angeles: Women’s Graphic Center.

Katzenberg, Dena S. 1977. “And Eagles Sweep Across the Sky”: Indian Textiles of the North American West. Baltimore: Museum of Art.

Kent, Kate P. 1971. Introducing West African Cloth. Denver: Museum of Natural History.

Landes, Ruth. 1971. The Ojibwa Woman: Male and Female Life Cycles among the Ojibwa Indians of Western Ontario. New York: Norton, reprint.

Leavitt, Ruby R. 1971. “Women in Other Cultures.” In Woman in Sexist Society, edited by Vivian Gornick and Barbara K. Moran, 393–427. New York: New American Library.

Lévi-Strauss, Claude. 1975. “The Caduveo.” In Tristes Tropiques, 151–97. New York: Atheneum.

Little, Nina Fletcher. 1975. Country Arts in Early American Homes. New York: Dutton.

Litto, Gertrude. 1976. South American Folk Pottery. New York: Watson-Guptill.

Lyford, Carrie. 1940. Quill and Beadwork of the Western Sioux. Lawrence, Kan: Haskell Institute.

MacDowell, Betty, Marsha MacDowell, and C. Kurt Dewhurst. 1978. Artists in Aprons: Folk Art by American Women. New York: E. P. Dutton.

Mainardi, Patricia. 1973. “Quilts: The Great American Art.” Feminist Art Journal, 18–23.

Marriott, Alice Lee. 1948. Maria: The Potter of San Ildefonso. Norman: University of Oklahoma Press.

Matthews, Thomas. 1977. “Mural Painting in South Africa.” African Arts 10:28–33.

Myers, Elizabeth Lehman. 1918. A Century of Moravian Sisters: The Record of Community Life. New York: Revell.

Nicklin, Keith. 1973. “Ibibio Musical Pots.” African Arts 7:50–55.

Osborne, Lilly de Jongh. 1975. Indian Crafts of Guatemala and El Salvador. Norman: University of Oklahoma Press.

Parker, Ann, and Aron Neal. 1977. Molas. Barre, Mass: Barre.

Patterson, Daniel W. 1977. “A Woman of the Hills: The Work of Maude Minish Sutton.” Southern Exposure Summer/Fall:105–13.

Peterson, Karen, and J.J. Wilson. 1976. Women Artists: Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century. New York: Harper and Row.

Pitseolak, and Dorothy Eber. 1971. Pictures Out of My Life. Seattle: University of Washington Press.

Reed, Evelyn. 1975. “The Productive Record of Primitive Woman.” In Woman’s Evolution from Matriarchal Clan to Patriarchal Family, 105–29. New York: Pathfinder Press.

Reichard, Gladys. 1968. Navajo Shepherd and Weaver. Glorieta, N.M: Rio Grande Press, reprint.

Reiter, Rayna Rapp, ed. 1975. Toward an Anthropology of Women. New York: Monthly Review Press.

Rohrmann, G. T. 1974. “South African House Painting.” African Arts 7:18–21.

Rosaldo, Michelle, and Louise Lamphere. 1975. Woman, Culture and Society. Edited by Michelle Rosaldo and Louise Lamphere. Stanford: Stanford University Press.

Rubin, Barbara. 1970. “Calabash Decoration in North East State, Nigeria.” African Arts 4:20–25.

Sieber, Roy. 1972. African Textiles and Decorative Arts. New York: Museum of Modern Art.

Smith-Rosenberg, Carroll. 1975. “The Female World of Love and Ritual: Relations between Women in Nineteenth Century America: An Ethnohistorical Inquiry.” Signs I (1): 1–29.

“Songs of American Women.” 1976. SingOut! Magazine 25 (2).

Spruill, Julia C. 1972. Women’s Life and Work in the Southern Colonies. New York: Norton, reprint.

Swan, Susan Burrows. 1977. Plain and Fancy: American Women and Their Needlework, 1700-1850. New York: Holt, Rinehart and Winston.

Teleki, Gloria Roth. 1975. The Baskets of Rural America. New York: Dutton.

Tufts, Eleanor. 1975. Our Hidden Heritage: Five Centuries of Women Artists. Paddington Press.

Valenti, Mary Jo, and Linda J. Larkin. 1975. My Sister’s Song, Women’s Records. Milwaukee, Wis. 53211: Women’s Soul Publishing Inc.

Walker, Roslyn A. 1975. African Women/African Art. New York: African-American Institute.

Williams, Ora. 1973. American Black Women in the Arts and Social Sciences. Scarecrow Press.

Woman, Mountain World. 1961. The Autobiography of a Winnebago Indian. Edited by Nancy O. Lurie. Ann Arbor: University of Michigan Press.

Women Artists: Four Slide Shows. 1976. 10 E. 53rd St., N.Y., N.Y.,10022: Harper and Row Media Department.

“Women Artists on Women Artists.” 1978. Women’s Studies V (3).

Wooster, Ann-Sargent. 1972. Quiltmaking: The Modern Approach to a Traditional Craft. New York: Galahad Books.