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<?xml version="1.0" encoding="UTF-8"?><?xml-model href="https://www.tei-c.org/release/xml/tei/custom/schema/relaxng/tei_all.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?><?xml-stylesheet type="text/css" href="https://raw.githubusercontent.com/LEAF-VRE/code_snippets/refs/heads/main/CSS/leaf.css"?><TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"> <teiHeader> <fileDesc> <titleStmt> <title>Upcoming Issues</title> <author>Joan Braderman</author> <respStmt> <persName>Haley Beardsley</persName> <resp>Editor, encoder</resp> </respStmt> <respStmt> <persName>Erica Delsandro</persName> <resp>Investigator, editor</resp> </respStmt> <respStmt> <persName>Margaret Hunter</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Diane Jakacki</persName> <resp>Invesigator, encoder</resp> </respStmt> <respStmt> <persName>Sophie McQuaide</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Olivia Martin</persName> <resp>Editor, encoder</resp> </respStmt> <respStmt> <persName>Bri Perea</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Roger Rothman</persName> <resp>Investigator, editor</resp> </respStmt> <respStmt> <persName>Kaitlyn Segreti</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Maggie Smith</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Maya Wadhwa</persName> <resp>Editor</resp> </respStmt> <funder>Bucknell University Humanities Center</funder> <funder>Bucknell University Office of Undergraduate Research</funder> <funder>The Mellon Foundation</funder> <funder>National Endowment for the Humanities</funder> </titleStmt> <publicationStmt> <distributor> <name>Bucknell University</name> <address> <street>One Dent Drive</street> <settlement>Lewisburg</settlement> <region>Pennsylvania</region> <postCode>17837</postCode> </address> </distributor> <availability> <licence>Bucknell Heresies Project: Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)</licence> <licence>Heresies journal: © Heresies Collective</licence> </availability> </publicationStmt> <sourceDesc> <biblStruct> <analytic> <title level="a">Juggling Contradictions: Feminism, the Individual and What's Left</title> <author> <surname>Braderman</surname> <forename>Joan</forename> </author> <date when="1977-01">January 1977</date> <textLang xml:lang="eng"/> </analytic> <monogr> <title level="j">Heresies #1: Feminism, Art and Politics</title> <imprint> <publisher ref="https://www.wikidata.org/wiki/Q20857976">The Heresies Collective</publisher> <pubPlace> <address> <name>Heresies</name> <postBox>P.O. Boxx 766, Canal Street Station</postBox> <settlement>New York</settlement> <region>New York</region> <postCode>10013</postCode> </address> </pubPlace> </imprint> <biblScope unit="issue">1</biblScope> <biblScope unit="page">88-93</biblScope> </monogr> <series> <title level="s">Heresies: A Feminist Publication on Art and Politics</title> <idno type="Wikidata">https://www.wikidata.org/wiki/Q17022558</idno> <idno type="ISSN">0146-3411, 2469-4908</idno> </series> </biblStruct> </sourceDesc> </fileDesc> <xenoData><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns:as="http://www.w3.org/ns/activitystreams#" xmlns:cwrc="http://sparql.cwrc.ca/ontologies/cwrc#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:geo="http://www.geonames.org/ontology#" xmlns:oa="http://www.w3.org/ns/oa#" xmlns:schema="http://schema.org/" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" xmlns:fabio="https://purl.org/spar/fabio#" xmlns:bf="http://www.openlinksw.com/schemas/bif#" xmlns:cito="https://sparontologies.github.io/cito/current/cito.html#" xmlns:org="http://www.w3.org/ns/org#"/></xenoData></teiHeader> <text> <body> <div type="verse"> <pb n="102" facs="https://raw.githubusercontent.com/djakacki/heresies/refs/heads/main/issue01/images/01_104.jpg"/> <head>Around Coming Around - a performance</head> <byline>Marty Pottenger</byline> <lg> <l>I WAS SIXTEEN</l> <l>WAS I A CHILD?</l> <l>I WAS SIXTEEN</l> <l>I CAN'T REMEMBER</l> <l>I CAN'T REMEMBER</l> <l>WAS I A CHILD?</l> <l>I WAS SIXTEEN</l> <l>MY FATHER AND I</l> <l>WERE DRIVING HOME</l> <l>AFTER VISITING A COLLEGE</l> <l>AFTER DRIVING ALL DAY</l> <l>WE STOPPED AT A MOTEL</l> <l>THE WALLS WERE GREEN</l> <l>THAT TERRIBLE LIGHT GREEN</l> <l>USED IN MOTELS</l> <l>THE DESK CLERK SMIRKED</l> <l>AND I WAS EMBARRASSED</l> <l>I DIDN'T KNOW WHY</l> <l>I WAS SIXTEEN</l> <l>WAS I A CHILD?</l> <l>I CAN'T REMEMBER</l> <l>THE DESK CLERK ASKED</l> <l>DO YOU WANT SINGLE</l> <l>OR DOUBLE BEDS, SIR?</l> <l>AND I SAID</l> <l>TWO BEDS TWO BEDS</l> <l>TWO SINGLE BEDS</l> <l>WAS I A CHILD?</l> <l>THE CLERK SMIRKED</l> <l>MY FATHER SAID</l> <l>IT DOESN'T MATTER</l> <l>AND I SAID INSIDE</l> <l>BUT IT DOES MATTER</l> <l>IT DOES MATTER</l> <l>I WAS SIXTEEN</l> <l>I WAS A CHILD</l> <l>AND WE WENT</l> <l>TO THE ROOM</l> <l>WITH THE TWO SINGLE BEDS</l> <l>I WENT INTO THE BATHROOM</l> <l>TO PUT ON MY NIGHTGOWN</l> <l>A SHORT NIGHTGOWN</l> <l>WITH GREEN AND BLUE FLOWERS</l> <l>I CAN'T REMEMBER</l> <l>AND I GOT INTO BED</l> <l>THE BED BY THE BATHROOM</l> <l>AND SAT ON MY BED BEFORE</l> <l>WAS I A CHILD?</l> <l>AND HE WAS IN THE BATHROOM</l> <l>A LONG TIME</l> <l>HE CAME OUT</l> <l>AND SAT</l> <l>I CANT REMEMBER</l> <l>ON MY BED</l> <l>AND PUT HIS HAND</l> <l>ON MY KNEE</l> <l>AND I LAY THERE</l> <l>AND DID NOT MOVE</l> <l>HE TOUCHED MY BREAST</l> <l>I CAN'T REMEMBER</l> <l>STROKING MY BREASTS</l> <l>ON TOP OF MY NIGHTGOWN</l> <l>AND HE CAME DOWN</l> <l>ON TOP OF ME</l> <l>IWAS SIXTEEN</l> <l>WAS I A CHILD?</l> <l>I CAN'T REMEMBER</l> <l>I CAN'T REMEMBER</l> <l>HE LAY THERE</l> <l>I DID NOT MOVE</l> <l>THE BLANKET BETWEEN US</l> <l>I WAS SIXTEEN</l> <l>HE STROKED MY BREASTS</l> <l>BREATHING IN MY FACE</l> <l>AND ASKED ME</l> <l>ICAN'T REMEMBER</l> <l>IF I LIKED IT</l> <l>AND I</l> <l>AND I</l> <l>AND I CAN'T REMEMBER</l> <l>INSIDE I SAID NO</l> <l>INSIDE I SAID NO</l> <l>I CAN'T REMEMBER</l> <l>AND HE STAYED THERE</l> <l>ON TOP OF ME</l> <l>MOVING AROUND</l> <l>TOUCHING MY BREASTS</l> <l>TOUCHING MY NECK</l> <l>AND HE ASKED ME</l> <l>IF I LIKED IT</l> <l>AND I SAID NO</l> <l>AND HE GOT UP</l> <l>AND HE GOT OFF</l> <l>AND THE WHOLE NIGHT</l> <l>I STAYED AWAKE</l> <l>WAITING</l> <l>I CAN'T REMEMBER</l> <l>AND THE NEXT MORNING</l> <l>WE GOT UP</l> <l>WE HAD BREAKFAST</l> <l>AND WE DROVE</l> <l>THE REST OF THE WAY</l> <l>HOME</l> </lg> </div> <div type="verse"> <pb n="103" facs="https://raw.githubusercontent.com/djakacki/heresies/refs/heads/main/issue01/images/01_105.jpg"/> <head>mime</head> <lg> <l>open blade pause</l> <l>take small knife out of pocket</l> <l>hold knife in right hand</l> <l>turn left forearm palm up</l> <l>cut lightly/carefully 3 times</l> <l>holding left arm still</l> <l>put knife away closing</l> <l>blade against right thigh</l> <l>turn cut wrist over</l> <l>catch blood in right hand</l> <l>when hand almost full</l> <l>pour blood from right hand</l> <l>into left hand</l> <l>apply pressure/release</l> <l>pressure/release</l> <l>with right fingers</l> <l>upon left wrist</l> <l>stopping flow of blood</l> <l>eyes focus always on action</l> <l>take two right fingers</l> <l>and dip in blood</l> <l>look up as if in the mind's</l> <l>mirror and slowly paint lines</l> <l>down right cheek</l> <l>repeat and paint left cheek</l> <l>repeat and draw a line</l> <l>across forehead</l> <l>repeat and place both fingers</l> <l>on chin</l> <l>drop hands and stare</l> <l>at own reflection</l> </lg> </div> <div type="verse"> <lg> <l>one for me. one for you. one for me. (dealing</l> <l>imaginary cards) one for you. one for me. one</l> <l>for you. one for me. let's see what you got?</l> <l>MONEY .... ULCERS ... and a PENIS. how 'bout that—</l> <l>i got LESBIAN... LOVE.. and uh...A TERRIBLE FEAR</l> <l>i tell you what, i'll trade you some of my fear</l> <l>for some of your—no? so ok. we stick with what</l> <l>we got.</l> <l>(photo: Libby Turnock)</l> </lg> </div> </body> <back> <p> Marty Pottenger lives in New York City, is a carpenter, and performs improvisationally "with whoever's in the room, whatever's on hand, and what's inside all of us." </p> </back> </text> </TEI>