Contributors

Two From Short Stories and Love Songs

Kitchens 1970


My Aunt Beverly came to visit me .

I last saw her twenty-two years ago when I was twelve .


This time she had freshly dyed and set hair .

It was glossy red . short . and neatly curled .

A friend was with her . her friend's hair was dyed blond .

She was tired looking . and not as neat as Beverly .

Aunt Beverly said "this is fran ... do you remember her ?

I know her since before you were born' .


They were boyish sixty-year-old women .

Reminding me of the working women I see

leaving their offices and factories at 5 on winter afternoons .

I suppose it is a hard lonely life they have .


"I have traveled a lot since len died" she said .

"I took a cross-country bus trip .

Funny . she always called him leonard . when I was a child .

when he was alive .


I remember her well . from the old days .

The years when the children were growing up .

Her hair was longer then . and darker . she was thin .

I remember she thought herself a cross between

katharine hepburn and ingrid bergman .


We were all poor .

We lived in four-family wooden-frame buildings .

Railroad flats .

Beverly’s daughters abby and marta were smart — and beautiful .

Her son jeffrey was retarded .

Each summer uncle leonard tried to teach jeffrey to count .

They spent years in the front bedroom . years of summers .

Counting and trying .

I feel those summers often .

a flavor . a taste . a just missed time .

Some days seem pregnant with them .


It is as though a day from long ago

is about to arrive in the midst of a new summer .

Once I was sunbathing on a foreign beach .

and the heat — the sun —the loneliness of a distant

voice brought them back to me .

Aunt Beverly and my mother in the kitchen .


I remember myself a fat child .

Sitting in the shade —at the side of the house .

"The oldest"— "keeping an eye on the smaller children"


My mother's and Beverly's voices

coming through the open kitchen window .

Their voices became part of the air . a hum and a whisper .

words barely audible . the clink of ice .

All summer they drank iced coffee with milk in it .

they sat in their flower-print housedresses .

at the white enamel kitchen table . near the window .

sometimes — but rarely laughing .

endlessly talking about childhood friends . operations .

and abortions . deaths . and money .


while in the hot mud driveway . I watched a red ant .

crawl from shadow to shadow . across the Australian Plains

CONVERSATION 1969


I mourn mortality .

my friend came to visit .

the evening passed .

time wove back and forward again .

we spoke about places .

the room seemed to become other rooms .

i described aroom . a room i never remember .

except when i am in it .

she described a room .

a gift for a gift .


the conversation became a gigantic sculpture .

a transcontinental journey on the queen mary .

something rare .

we wanted to capture it . the event . in a novel .

writing on six pages at once . filming it .

writing poetry of poetry on the walls of it .

painting pictures in non-existent colors .

the memories and the memories of them .


in the morning she told me of a road sprayed with sunshine .


i told about a little horse in mexico . he lived inside a fence

8 feet in diameter . beneath a banana tree .

the girls in the house hung their petticoats

on a line that passed above him .

all the days i was there . i could see him standing .

inside his fence . beside the banana tree .

under the petticoats . with a huge erection .

cows grazed on water lilies in the pond . just beyond him .

only their heads showed . the horse was black .


she said write it .


then we ate lunch .

when my friend got ready to leave i followed her .

through the house .

i watched her go down the stairs .

i ran inside to the window .

i wanted to call to her . but by the time i got the window open .

she was already down the street .


then i phoned another friend .

and ate half a box of "Famous Cookie Assortment" cookies .

in this way i mourned the nature of time . all partings .

and the frail thing that each day is .


I wonder what it will be like when i get home. she had said .

Pat Steir lives in New York and makes art and poetry. She is involved with two alternative publishing ventures as well as being a member of the Here- sies Collective.

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