Prose Poems for Old Women

Prose Poems for Old Women

SITTING STILL


Some people died who never died before she said

They died iust now she said readine The Times

Her skin was pink her flesh concealed the bones

inside She pretended she was a chair

hoping death would flash past sat still as a sofa

A dress laid over two shoes neatly placed.

WOMAN WAITING


My mother sits at a window watching the field.

When I come after six months, a vear, she waves.

Moving from chair to bed to table she opens the

door to the field, waits to receive words of praise

and affection. The days of no figure crossing the

field have moved to this moment. We are together.

We drive off. She has nothing to say. She is humming.

ALICE DICK b. NEW BRUNSWICK. CANADA 1895


As children in Chatham Alice and her sister Mary

went for picnics on a boat down the River Miramichi

as far as Bav de Vin and Burnt Church where the boat

turned around. They caried sandwiches and lemon

meringue pie homemade by Nelle Morn who hooked

five or six rugs a vear, took in laundry, baked

and sold fresh bread in herstore, made all the

familv s clothes and delivered milk to her neishbors.

Three of her four children were girls but they never

learned to do allthe things their mother did. She

had no time to teach them.

Alice was in the second grade when Nellie Morn threw

a log from the top of the woodpile into Alice's left

eye. Her blue dress turned red.

Alice was twelve when her father died. She went to work

as mothers helper for the Snowballs and the Steeds

who lived in the big house on the hill. Thev owned the

pulp mill.

Later she came to Boston, got a job in a Chinese

restaurant where she waited on True N. Stevens half-

owner of Stevens and Greene Groceries and his boy Ralph

who flirted with her. Asked what A.D. on the bill stood

for she said after dinner. They got married. She was

twenty-four. I was the first of their two children

the one who lived.

She is nearly eighty now. She has a pink-gummed smile

incredibly innocent and sweet without the least inflec-

tion of twenty vears confinement in the back wards of

state mental hospitals. The light in the one eye that

sees has never gone out.

OLD WOMAN BATHING


Loosened strands slip down deep divided back.

Buttocks shelfslides to creasing thighs. Knees

keep a partial crouch. Belly slings body center

forward over a hairless pouch. She lifts each breast

soaping the smell of age. She (matter self-propelled

mushrooms pink and lavender, lustful, greedy, feeding)

steps into air, hands stroking space, trusting someone

is there to towel her drv, pin remnant hair, give back

her name, her watch, her storv. She loves being clean

but who has time to wash her every day? Is she a baby

with a future? She loves hair dresed but fears over

handling may make it thin. Dampish stil, flushed,

talced, her body blooming, she swings foot, hums

nightgowned beside the bed, waits for milk and pills.

Glasses folded under pillow, sheet clutched high,

one hand slipped between her thighs, she sleeps a

sleep she will denv, in tongues converses with

familiars, unshareable. No she did not speak she lies

keeping her secret garden, loving the long continuous

dialog, absorbing, obsessing, warm and sweet as ex-

crement newly made, unspeakable, but hers, and real.

ADDIE, ALICE


Aunt Addie went to the hospital for a three day checkup

came out with a clean billof health rejoiced at eighty-three

ay-yah she savs Maine voice unaided eyes family proud race proud

discipline proud straight square proud spareness dryness proud

awkward proud truth proud. Addie; You start out with nothing

you end up with nothing. My traveling days are over. I

remember Souza's band and Burton Holmes' lectures. In fact I

heard Winston Churchill telling his experiences in the Boer War

the winter of nineteen hundred and one. Making blouses for

April pajamas for Ramona distant granddaughters putting up

pears for the winter of nineteen hundred and seventy-two. Aunt

Addie s house is bare of suffering as her face in which suffering

would be an indulgence eves no feling showing asking Maine

voice slightly rasped edges knowing but not dwelling what did

you expect?

In Istanbul a woman of one hundred and one is lifted out of bed

into bed mind clear in a crooked cage telling how the sultan

was deposed and another came in the palace.

Mary had a sister Alice pleasingly plump white calves

hairless armpits clear brow still eyes. Alice lost an eye

when wood was thrown from the woodpile. Blood ran down her

dress. Alice lost a son flu caried him off. Alice lost

a daughter who married a Jewish artist. Alice lost a husband

when she grew fat and mad. Twenty years after one-eyed

burnt-out schizophrenic Alice sees three figures swarm through

glass doors daughter husband her husband? son her son? to

take her outside. She smiles says well declare gets up

goes to the door where coat hat bag are hanging and turns

ready.

May Stevens is a New York painter.

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