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bucknell
Ten Ways of Looking at Prison Lunch
Document
<?xml version="1.0" encoding="UTF-8"?> <?xml-model href="https://www.tei-c.org/release/xml/tei/custom/schema/relaxng/tei_all.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?> <?xml-model href="https://www.tei-c.org/release/xml/tei/custom/schema/relaxng/tei_all.rng" type="application/xml" schematypens="https://purl.oclc.org/dsdl/schematron"?> <?xml-stylesheet type="text/css" href="https://raw.githubusercontent.com/LEAF-VRE/code_snippets/refs/heads/main/CSS/leaf.css"?> <TEI xmlns="http://www.tei-c.org/ns/1.0"> <teiHeader> <fileDesc> <titleStmt> <title>Around and Around</title> <author>Marty Pottenger</author> <respStmt> <persName>Haley Beardsley</persName> <resp>Editor, encoder</resp> </respStmt> <respStmt> <persName>Erica Delsandro</persName> <resp>Investigator, editor</resp> </respStmt> <respStmt> <persName>Margaret Hunter</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Diane Jakacki</persName> <resp>Invesigator, encoder</resp> </respStmt> <respStmt> <persName>Sophie McQuaide</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Olivia Martin</persName> <resp>Editor, encoder</resp> </respStmt> <respStmt> <persName>Bri Perea</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Roger Rothman</persName> <resp>Investigator, editor</resp> </respStmt> <respStmt> <persName>Kaitlyn Segreti</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Maggie Smith</persName> <resp>Editor</resp> </respStmt> <respStmt> <persName>Maya Wadhwa</persName> <resp>Editor</resp> </respStmt> <funder>Bucknell University Humanities Center</funder> <funder>Bucknell University Office of Undergraduate Research</funder> <funder>The Mellon Foundation</funder> <funder>National Endowment for the Humanities</funder> </titleStmt> <publicationStmt> <distributor> <name>Bucknell University</name> <address> <street>One Dent Drive</street> <settlement>Lewisburg</settlement> <region>Pennsylvania</region> <postCode>17837</postCode> </address> </distributor> <availability> <licence>Bucknell Heresies Project: Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)</licence> <licence>Heresies journal: © Heresies Collective</licence> </availability> </publicationStmt> <sourceDesc> <biblStruct> <analytic> <title level="a">Juggling Contradictions: Feminism, the Individual and What's Left</title> <author> <surname>Braderman</surname> <forename>Joan</forename> </author> <date when="1977-01">January 1977</date> <textLang xml:lang="eng"/> </analytic> <monogr> <title level="j">Heresies #1: Feminism, Art and Politics</title> <imprint> <publisher ref="https://www.wikidata.org/wiki/Q20857976">The Heresies Collective</publisher> <pubPlace> <address> <name>Heresies</name> <postBox>P.O. Boxx 766, Canal Street Station</postBox> <settlement>New York</settlement> <region>New York</region> <postCode>10013</postCode> </address> </pubPlace> </imprint> <biblScope unit="issue">1</biblScope> <biblScope unit="page">88-93</biblScope> </monogr> <series> <title level="s">Heresies: A Feminist Publication on Art and Politics</title> <idno type="Wikidata">https://www.wikidata.org/wiki/Q17022558</idno> <idno type="ISSN">0146-3411, 2469-4908</idno> </series> </biblStruct> </sourceDesc> </fileDesc> </teiHeader> <text> <body> <div type="verse"> <pb n='35' facs="https://raw.githubusercontent.com/djakacki/heresies/refs/heads/main/issue01/images/01_037.jpg"/> <head>Ten Ways of Looking at Prison Lunch</head> <byline>Gloria Jensen</byline> <note>(With apologies to Wallace Stevens)</note> <lg> <l>1. With both hands over your eyes, releasing</l> <l>one hand slowly to peep.</l> <l>2. Through the eyes of a friend you have by</l> <l>the hand—who reads braille.</l> <l>3. In the bing [solitary] where you can refuse</l> <l>to have the thing brought in at all and just lie</l> <l>there and sleep.</l> <l>4. From across the steam line, where people</l> <l>marvel at your petite body (if only they knew</l> <l>it's not by choice you prefer to remain frail and</l> <l>cautious).</l> <l>5. From a prison visitor's point of view — when</l> <l>suddenly, miraculously, all one sees is steak,</l> <l>greens and potatoes.</l> <l>6. From your window late at night as you</l> <l>watch one man run with a rake, followed by</l> <l>another with a sack, followed by a corrections</l> <l>officer, followed by a ruckus you've not seen</l> <l>but heard — then all three returning, dragging</l> <l>a heavy sack.</l> <l>7. Witnessing something come ashore in the</l> <l>bay and thinking: my, but it gave up a great</l> <l>fight.</l> <l>8. Wondering why they have signs saying DO</l> <l>NOT PEE ON THE GRASS. Then seeing the</l> <l>kitchen girls go out, mow it down and bring it in.</l> <l>9. Good Friday—when all the world's</l> <l>generous and the relief truck pulls up to the</l> <l>kitchen door to drop off loads of potatoes they</l> <l>couldn't unload anywhere else.</l> <l>10. Seeing more clearly the lunch of steak,</l> <l>greens and potatoes—as you attack the steak</l> <l>first and realize the fight you witnessed (#6) is</l> <l>not yet over, for the beast is biting you now too.</l> </lg> </div> </body> </text> </TEI>