Issue 4: Women’s Traditional Arts – The Politics of Aesthetics | LEAF

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Heresies Issue 4

Weaving

Afro-Carolinian "Gullah" Baskets

Ten Ways to Look at a Flower

List of Financial Contributors

Are You a Closet Collector?

The Next Issues of Heresies

Issue 4 Bibliography

Heresies Issue 4 Images

Issue 4 Bibliography

Grandma Sarah Bakes

Quilt Poem

Mexican Folk Pottery

From the Editorial Group

The Aesthetics of Oppression

Is There a Feminine Aesthetic?

Women Talking, Women Thinking

The Martyr Arts

The Straits of Literature and History

The Left Hand of History

Weaving

Political Fabrications

Art Hysterical Notions of Progress and Culture

Excerpts from Women and the Decorative Arts

The Woman's Building

Trapped Women

Adelaide Alsop Robineau: Ceramicist from Syracuse

Women of the Bauhaus

Portrait of Frida Kahlo as a Tehuana

Feminism: Has it Changed Art History

Making Something from Nothing

Waste Not Want Not

Sewing With My Great-Aunt Leonie Amestoy

The Apron ... Status Symbol ... or Stitchery Sample?

Conversations & Reminiscences

Aran Kitchens, Aran Sweaters

Nepal Hill Art and Women's Traditions

The Equivocal Role of Women Artists in Non-Literate Cultures

Women's Art in Village India

Quill Art

Turkmen Women, Weaving and Cultural Change

Kongo Pottery: Woman's Art from Zaire

Myth and the Sexual Division of Labor

Recitation of the Yoruba Bride

By the Lakeside There is an Echo

Heresies Issue 4 Masthead